STONY Eleven years of constant touring, recording and performing has seen the acoustic-based duo's reputation as songwriters, and as one of the hottest live acts on the new-acoustic music scene develop and mature. Stony's mixture of often driving piano and acoustic guitar, combined with beautiful vocal harmonies has a very distinctive and original live sound.

THE HALL BROTHERS generally fall into the singer-songwriter category, with high-quality, intelligent songs performed with a largely acoustic backing and are well-known for their wide-ranging musical styles and themes. Their songs deal with everything from love to politics without ever getting too earnest! An acoustic rock act.

THE NEUMES are a mostly very young female band playing some unusual self-penned material on a variety of instruments. With a unique fusion of pop, jazz, folk and rock, sisters Charlotte, Emily and Eleanor, who front the five-piece outfit, show a maturity well beyond their years.

GRAHAM HODGE, solo acoustic guitarist & singer, Graham has been playing since the 60's. He also plays with band Gabriel and is currently recording his first solo album.

PAUL LIDDELL At only 25 years old, Paul is already somewhat a veteran of the acoustic music world, having released two solo albums and an EP with his band ‘Delphians'. Over the years Paul has been playing, he has been courted by many record labels including RCA, Independiente, and EMI, but has remained independent and unsigned throughout. He feels working independently gives an artist great freedom and control over their music.

SHAUN T HUNTER Born in Helensburgh, Scotland, he began playing music at eleven years old Inheriting his Uncles record collections his first love affair with a record was upon hearing 'Tea For The Tillerman' by Cat Stevens, early Beatles records, The Temptations and The Eagles 'Hotel California' would bellow out for days, interspersed with lots of indoor football, courtesy of a tennis ball, in a small council house dining room. He'd always been a songwriter, always had an affinity for great songs, great writers and always marvelled that no matter how contemporary you endeavour to sound you are only left with 'the song'...this was where his first engagement with the organic acoustic scene grew. ' Real songs ' played by ' real people ' for ' real people '...music and the spoken word appreciated with a congruous silence, erupting only after a song or piece is finished, no false promises of shadowy A&R figures looming in the background, no talk of 'how do we market this'...only of the elation and sharing of someone's expression and performance in an age where he honestly believes, we have in large droves become desensitised, there remains something pure and intangible, something, without sounding trite, quite magical... where music is its own reward.